Ashley Bathgate and Ian Ding
Furtive Movements
ensemble cello and percussion
duration 14 minutes
written summer 2013, rev. January 2014
commissioned by St. Paul Chamber Orchestra
written for Ashley Bathgate and Ian Ding
premiere SPCO Liquid Music; September 2013, St. Paul, MN
publisher Unsettlement Music
recording Hazy Heart Pump (New Focus Recordings, 2019)
Ashley Bathgate, cello and Ron Wiltrout, drums/percussion play "Furtive Movements"
recorded at Oktaven Audio
Ryan Streber, audio; Ross Kare, video
some other performances
Lavena Johanson and Jeff Stern
Evolution Music Series
March 2014, Baltimore, MD
Ashley Bathgate and Ian Ding
String Orchestra of Brooklyn
March 2014, Brooklyn, NY
notes Furtive movements is a piece for cello and percussion, performed in four consecutive sections with no breaks. It lasts about 14 minutes, and was commissioned by the St. Paul Chamber Orchestra, for Ashley Bathgate and Ian Ding.
Furtive movements is a phrase found in many reports from the New York City Police Department: it is the most commonly cited reason individuals were detained under the Stop and Frisk policy. This phrase is striking to me, because it claims to describe a person's movements but really speaks more to the expectations of the officer observing them. The phrase conveys the assumption of guilt -- furtiveness -- based on appearance or demeanor in a given moment.
Writing this piece, I was inspired by the idea of freeing an individual from the role(s) they may be expected to fulfill. The cello and the drum set (timbrally and acoustically very different forces) may be more easily defined by their differences than their similarities. So my challenge in writing Furtive movements was to call their assumed identities into question and to try and blur the lines between their musical roles. Rhythmic and melodic responsibilities are shifted fluidly between players, and there are long passages where the instruments play in unison.
I also chose to "prepare" the cello by wedging a wine cork between the two middle strings. This enables the cello to make startling unique sounds (harsh and distorted at sometimes, gong-like at others), and also very much obstructs the instrument's ability to project sound in the way it was intended.
purchase score:
Furtive Movements is available for purchase from PROJECT SCHOTT NEW YORK
WORKS
LARGE WORKS WITH VOICES
Farming (2023, 60 min.)
24 voices, 6 instruments
Place (2018/2020, 80 min.)
6 voices, 18 instruments
In Your Mouth/Dorothea (2019)
voice and ensemble; voice and piano
Sound from the Bench (2014/2017, 40 min.)
mixed choir with 2 electric guitars and percussion
Coloring Book (2015, 30 min.)
vocal octet
The Source (2014, 65 min.)
7 instruments, 4 voices
Partition (2010, 20 min.)
mixed choir with full orchestra
Katrina Ballads (2007, 60 min.)
11 instruments, 5 voices
ORCHESTRA
In Thrall (2019, 15 min.)
wind ensemble
Brass Tacks (2018, 6 min.)
large orchestra
Miami in Movements (2017, 35 min.)
large orchestra with video
Dispatches (2015, 18 min.)
large orchestra
Respirator (2015, 13 min.)
chamber orchestra
Stem (2013, 25 min.)
large orchestra
Law of Mosaics (2012, 30 min.)
string orchestra
Erasure Scherzo (2012, 6 min.)
large orchestra
Word for Word (2011, 10 min.)
large orchestra
Shizz (2010/2017, 4 min.)
versions for large orchestra and chamber orchestra
Build a Room (2010, 20 min.)
concerto for trumpet and orchestra
Patriot (2007, 9 min.)
large orchestra
SOLO WORKS
Lobby Music (2021, 7 min.)
solo cello, with electronics
Inheritance (2021, 5 min.)
solo piano
The Luminous Road (2020, 2 min.)
solo piccolo
Distance Canon (2020, 3 min.)
solo violin
Another National Anthem (2019, 5 min.)
solo piano
DaVZ23BzMH0 (2016, 7 min.)
solo cello, with electronics
Parlor Diplomacy (2011, 20 min.)
solo piano
Nobody's (2010, 4 min.)
solo violin or viola
CHAMBER MUSIC
(2-5 instruments)
Exposure (2017, 18 min.)
string quartet
To Be the Thing (2017, 10 min.)
voice, electric guitar and percussion, with live electronics
The Answer to the Question That Wings Ask (2016, 11 min.)
string quartet and narrator
Furtive Movements (2013, 14 min.)
cello and percussion
Interlude for Fingers (2013, 4 min.)
two vibraphones
Candy (2011, 8 min.)
electric guitar quartet
Thaw (2009, 12 min.)
percussion quartet
Ghostspace (2009, 8 min.)
mixed quartet (accordion, electric guitar, piano, drums)
Vessels (2008, 10 min.)
trio (violin, viola, piano)
Crib Dweller (2007, 8 min.)
mixed quintet (bass clarinet, elec. guitar, trumpet, trombone, horn)
23 (2005, 8 min.)
mixed quintet (flute, horn, elec. guitar, piano, drums)
Warning Song (2006, 7 min.)
voice and cello, with electronics
One of Us, One of Them (2005, 8 min.)
piano and percussion
Forcefield (2004, 5 min.)
viola and vibraphone
MEDIUM TO LARGE ENSEMBLE MUSIC
(6-16 instruments)
To Be Whole Is To Be Part (2021, 7 min.)
14 musicians
Authority (2019, 30 min.)
10 musicians
Time is forever dividing itself toward innumerable futures [Speed is Pure] (2019, 40 min.)
for Pam Tanowitz Dance 4 horns, electric guitar, voice with live processing
One Like (2016, 7 min.)
14 musicians
For the Love of Charles Mingus (2016, 9 min.)
6 violins
Baby [an argument] (2016, 11 min.)
10 musicians
By-By Huey (2014, 10 min.)
sextet (fl, bcl, vln, vc, pno, perc)
"The Cage" Variations (2014, 20 min.)
6 instruments (fl, cl/bcl, vln, vc, pno, perc) with baritone solo
Crispy Gentlemen (2012, 15 min.)
7 instruments (fl/picc, cl/bcl, vln, vla, vc, pno, perc)
But I Voted for Shirley Chisholm (2012, 8 min.)
11 instruments+tape
Randos (2012, 8 min.)
7 instruments (L'Histoire septet)
Cutest Little Arbitrage (2011, 12 min.)
6 instruments (2 sax, trombone + rhythm section)
Is it Dirty (2010, 8 min.)
16 instruments with 2 singers
versions for 10 instruments and 6 instruments
Eyelid Margin (2009, 12 min.)
10 instruments (brass quintet + 5 double-reeds)
Snowball (2008, 6 min.)
8 instruments (bcl, tpt, tbn, vln, acc, egtr, pno, dr)
version for 7 instruments (bcl, bn, tpt, tbn, vln, db, perc)
Illuminating the Maze (2008/2016, 15 min.)
6 instruments (tpt, hn, tbn, egtr, pno, dr)
version for 11 instruments
Music from "Body Soldiers" (2008, 10 min.)
5 instruments + singer
Cordavi and Fig (2007, 8 min.)
13 instruments
Antiphon (2003, 8 min.)
9 instruments (3 cl, bcl, 3 tpt, tbn, pno)
CHORAL MUSIC
Texting With Your Dad in the Anthropocene (2019, 12 min.)
Animals (2018, 9 min.)
Fervor (2018, 3 min.)
What it might say (2016, 5 min.)
Coloring Book (2015, 30 min.)
Consent (2014, 7 min.)
Ripple (2012, 10 min.)
Privilege (2009, 14 min.)
Mass for St. Mary’s (2008, 10 min.)
Music for youth choir:
The Definition of Crisis (2020, 2-5 min.)
Room for Something (2011, 8 min.)
Away (2010, 6 min.)
Because (2006, 6 min.)
Murder on the Road in Alabama (2003, 6 min.)
SONG AND SOLO VOICE
Freefucked (2022)
voice and solo cello, with vocal processing and fixed electronics
Translation: Two Cigar Butts (2021)
two singers with electronics (optional piano and/or bass)
In Your Mouth/Dorothea (2019)
voice and ensemble; voice and piano
To Be the Thing (2017, 10 min.)
voice, electric guitar and percussion, with live electronics
Intimacy and Resistance (2010, 5 min.)
voice and piano
Charleston Songbook (2008, 20 min.)
voice and piano w/ lead sheets
I Remember (2007, 8 min.)
for three sopranos, or one soprano with electronics
I Carry Your Heart (2007, 5 min.)
voice and piano
Warning Song (2006, 7 min.)
voice and cello, with electronics
COLLABORATIVE WORKS
We Are Radios (2018)
Miami in Movements (2017)
The Answer to the Question That Wings Ask (2016,)
Hand Eye (2015)
New Dances for the League of David (2014)
You're Causing Quite a Disturbance (2013)
R WE WHO R WE (2013)
Histories (2012)